TIME WHAT DAY: Theory of Autodramaturgies
What is Autodramaturgy?
TIME WHAT DAY: Part One as a Complex Autodramaturgy
Possible Applications of Autodramaturgies Beyond Performance
Future Explorations: Play, Potential Narrative, and Post-Dramatics.
Additional Supplemental Materials:
SPOILERS: Proofing Copy for Time What Day: Part One (includes full digital text plus Twine / HTML5 coding (PDF)
SPOILERS: Didn’t unlock all of the Maker’s Memory Logs? (Or was there a sound cue misfire…?) Click below to hear the individual isolated recordings (without The Maker windpipe soundscape):
An Annotation of Space, or, a Voluntary Memory: Solving the Proustian Equation
Supplemental Material for the Prelude includes a Glossary for Beckett’s Memory, Habit, Time, an analysis of the theories of the Proustian Equation, Revelation and Proustian Demonstration, and brief musings that brought The Maker to write and design the Prelude. Click the links below to access the material.
Introduction to Prelude
Terms, References, and Allusions in Beckett’s Memory, Habit, Time
Annotation of Theories I: The Proustian Equation and Revelation
Annotation of Theories II: The Proustian Demonstration